101
Justicia, No. 27 - pp. 99-117 - Junio 2015 - Universidad Simón BolÃvar - Barranquilla, Colombia - ISSN: 0124-7441
the Protection of cUltUrAl diversity: reflexions on its oriGins And imPlicAtions
panies. A revision of those cases
2
is what led
us to notice that the principle of the protection
of cultural diversity is frequently brought up in
defence of social groups marked as âethnicâ âa
category which is in itself problematic, as we
will also argue.
Far from being another critique of multi-
culturalism see for example (Bocarejo, 2011;
Chaves, 2011; Hale, 2002, 2005; Pineda, 2011;
Restrepo, 2004, 2007; Segato, 2007 and Wade,
2011), this is a critique of the âpolicies for diver-
sityâ, a type of policies which is frequently pre-
sented as something new and free from the prob-
lems pointed on multiculturalism. Indeed, this
essay speciî¿cally reîects on the logic behind the
âprotection of cultural diversityâ, an idea which
is nowadays unchallenged and considered by
many as a principle for political action which
would necessarily be good in the eyes of every
sensible human being. In fact, we will see that
those political actions suffer in many aspects
from the same fundamental problems affecting
multiculturalistâs policies.
Discourses about indignity from 1810 to
1970
In Colombia, the images and policies related
to Native Americans have been formative of
the images and policies related to other ethnic
2 Those judicial cases where sent to the Instituto Colombiano
de AntropologÃa e History (Colombian Institute of Anthropo-
logy and History - ICANH) by the Corte Constitucional (The
Constitutional Court). The facts presented in the second part
of this paper are partly based on the observations and con-
clusions drawn by us as researchers working at the ICANH
with those documents and cases. Considering the restrictions
of space in an article such as this one, we cannot quote and
explain each one of them.
groups, and âmost importantly for this article, as
it will be explained laterâ to what is now called
âcultural diversityâ. Because of this, the history
of representations about the âIndiansâ, the âin-
digenous peoplesâ or the ânative culturesâ
3
is
crucial to understand contemporary representa-
tions about other ethnic groups. Indeed, Restre-
po (2007) has shown that the dominant model
for imaging indignity in the country has been
extrapolated in many institutional circumstances
to imagine black communities as well
4
.
In 1890, for instance, the State gives, for the
î¿rst time, a particular status to the âindigenous
peoplesâ in the juridical framework. We can thus
speak of some sort of recognition which can be
considered as an ancestor of todayâs âpositive
discriminationâ (Cunin, 2003, p. 31) and the
policies for the protection of cultural diversity.
This recognition, however, did not impede re-
jection and exclusion of the peoples categorized
in this way by the âwhiteâ and âmestizoâ major-
ity in the country.
As it is widely known, since the nineteenth
century most nationalist projects were founded
on the idea of cultural homogeneity of the Na-
tion (Smith, 2000, p. 17). Colombian national-
ism was certainly not an exception to this rule: a
uniî¿ed country with one culture, one language,
one religion, etc. Moreover, the newly-born Re-
public of Colombia declared the equality of all
men (Political Constitution of 1821). Colombian
3 The terms âIndiansâ, ânativesâ or âindigenous peoplesâ will
be used as synonyms.
4 In colonial times, the category of âblack peopleâ was denied
an institutional place in ofî¿cial discourses and in the works of
most intellectuals (Cunin, 2003, p. 30).